12 September 2011
Or: Spotify for Books.
I think I’ve blogged before how I think this is a potential killer product; people only read (most) books once, so a rental model rather then a ownership model makes way more sense.
There’s also nothing stopping them replicating the ad-supported free service as well, or how about you get a year’s free service when you buy a Kindle? Could be very interesting indeed.
I don’t think there are many people that know that once, what seems like an age ago, I did a computer science degree. At that point in time I couldn’t for the life of me figure out how to get into music – my teenage band failing dismally to even...
I’ve been thinking about the concept of indie record labels all week after an article on the Guardian about everyone’s favourite currency-related rapper 50 Cent signing to “independent distributor Caroline”. Now for those that don’t keep up to speed with the coming and goings of the many, many major...
I hate writing about music.
Chiefly I, myself, take great displeasure in writing about the stuff, but then also quite frankly – and with no disrespect to anyone reading who does write about it – I am no fan of any writing about music.
I mean, what is it good for?
The Internet is fatigued.
Or, to be more accurate and a little less snappy; people that work on the Internet are fatigued. Tired out. Bored.
We are in an interesting time when it comes to working in digital. Digital used to be an exciting wild west, where new completely revolutionary sites, apps...
Stats are dangerous.
You know how your parents would tell you off as a child if you tried to stick your fingers in a plug socket? Yeah, stats are like that.
There’s an obsession in certain parts of the music industry, particularly in digital marketing, with stats. Metrics. Percentage increases. Growth.